Story of Brazilian Jiu-Jitsu
THE ULTIMATE FIGHTING CHAMPIONSHIP
In the early 1990s another Gracie, Rorion, moved from Brazil to Los Angeles, hoping to showcase his family’s fighting system to America. Although no-rules, mixed martial arts contests (known as “vale tudo”) had been popular in Brazil since Carlos Gracie first opened his academy in 1925, they were largely unknown in the rest of the world. Rorion and Art Davies conceived of an event called ‘The Ultimate Fighting Championship’ (UFC), which would pit various martial arts styles against each other. UFC enabled challengers from various martial disciplines to battle each other in an effort to prove the credibility of their sport and illustrate their martial art as the best.
The first UFC took place in 1993 and was completed dominated by Rorian’s younger brother Royce. Royce was not a big man and was outweighed by the other competitors. In spite of this, he exploited the other contestants’ naivety of ground fighting and emerged victorious, defeating four opponents in a single night. His wins led to a huge interest in Brazilian jiu-jitsu, particularly in the USA and Japan, consolidating the sport’s status as a truly global martial art.
THE MODERN ERA
Today, Brazilian jiu-jitsu is riding the wave of the ‘Mixed Martial Arts’ (MMA) explosion and is the fastest growing martial art in the world. There are now thousands of jiu-jitsu academies spread across every corner of the globe.
Sport jiu-jitsu has also grown massively in popularity. There are established governing bodies, such as the International Brazilian Jui-Jitsu Foundation (IBJJF) and the Jiu-Jitsu Global Federation (JJGF) who run regular competitions attracting thousands of entrants.
Staying true to its roots, jiu-jitsu continues to be effectively utilized in all MMA competition – all fighters, regardless of their speciality, require at least a working knowledge of jiu-jitsu to stand any chance of success.
The art is constantly evolving and being refined by its practitioners. New moves and techniques are being invented every day – a testament to the dynamic and ‘live’ nature of the art.